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The budget Hooper was able to raise varies in different reports but it averages between $90,000 and $110,000.
Hooper’s Christmas shopping and news reports from Wisconsin sixteen years ago gave him enough to ideas to write the screenplay - with the help of Kim Henkel. Hooper like many other filmmakers became inspired by this misanthropic view on life.
Either way Gein saw humanity as animals, he would wear their coats and eat the meat of their flesh. Some say he wanted to become his mother, while others believe he just wanted to be a woman. Gein yearned to have a sex change, so he sewed together a complete female suit. He cut into skulls to create bowls, and he ate the flesh of the dead. Like Chainsaw’s room of bone furniture, Gein made sculptures from the corpses he pulled from the cemetery. Throughout history the murder of one individual has never been enough to spark the public’s curiosity, but in Gein’s case it wasn’t the act of murder it was what he did after that was so shocking. In 1958 Gein’s house of horrors was finally found out, when his nights of digging up the dead became unsatisfactory and he lusted the act of killing.
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Showing once again that we all have dark desires that are socially unacceptable.Ĭhainsaw cannot be discussed without Ed Gein, the Wisconsin bred ‘mommas boy’ who wore a skin suit within the comforts of his home. The Sawyer family acts upon Hooper’s repressed thought. The film began as an impulse that Hooper repressed, the idea to slaughter everyone to get to the checkout line. Whichever theory works for you is inconsequential the film shows the utter depravity within humankind. Sally’s friends are beaten with a sledgehammer, bled and cooked. Vegetarians also hold this film in high regard, because Hooper shows the parallels between humans and animals. To others there is an existential element occurring through the film. Hooper has a complete disregard for humanity. To me the film is as close to a nihilistic philosophy that I’ve seen portrayed in cinema. At the end of the film when it is only Sally left, we remember that we were told that all five befell the tragedy, so when Sally finally does escape it is something we wished for but did not expect. As Robin Wood points out in The American Nightmare, “.annihilation is inevitable, humanity is now completely powerless, there is nothing that anyone can do to arrest the process (20).” From the opening narration we know that this film cannot end well, we know that we are about to see the death of five young people. This narration leaves the audience even more curious as to what they are about to witness. John Laroquete’s deep and matter-of-fact tone begins Texas Chainsaw Massacre, telling us what is to follow is a true story.
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“What is so bad about this movie to cause people to riot?” This was the best reaction a film like Chainsaw could have had. The story of the preview became a part of the film’s promotion. Police were called to the scene and reporters followed, people were ready to sue. When the theater owners told them they paid for the first film and not for Chainsaw, fist fights broke out. The first film was a tame rated R film, and then what followed caused people to walk out, vomit, and demand their money back. The first showing of the film was a second feature of the night.
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Hooper received free publicity during a preview of the film, where a riot had started.
With its taglines that read: “Who will survive and what will be left of them?” Everyone’s curiosity was sparked. The low budget 16mm film quickly became the forbidden fruit of cinema. Tobe Hooper’s 1974 film The Texas Chainsaw Massacre completely changed the face of horror. He stared at a display of tools and thought about how easy it would be to clear the people out of his way if he only had a chainsaw. He couldn’t make his way down the main isles, so he went down a side isle and found himself in the power tools section. He was in the middle of a large crowd of consumers all rushing to get their last minute gifts. He got the idea for his film while he was Christmas shopping. Around the same year that The Last House on the Left was released another young documentary filmmaker was contemplating his own horror film.
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